| Teacher ResourcesCharacter Development in The Grapes of Wrath by Lauren Haslach,  		Tenafly High School,  		Tenafly, New Jersey, 2007
Background/PremiseAs a teacher, particularly of people who often come from privileged   backgrounds, my job is to help learners draw their own conception of   what it means to be human, to be part of humanity.  To this end, it is   crucial that students through art and literature gain an understanding   of people who lead seemingly different lives from their own, then see   how in fact they may relate to those people.  Many of my students may   initially have absolutely no idea what it would be like to live the life   of a migrant worker during the Depression, so I like students to focus   on the voices of Steinbeck’s characters as well as the narration in the   general chapters as part of an effort to get to know these people as   perhaps Steinbeck would want. Further ContextI teach The Grapes of Wrath as part of the AP Language and   Composition course, in which I am also required to teach American   literature.  We explore what our literature reveals to us about   Americans as a group, how American writers influenced each other, and   what connections exist between various art forms and aesthetic,   political, and/or social movements in our culture. We also devote a   great deal of time to understanding and appreciating writing style.   Students will acquire a vocabulary with which to discuss writing style,   and are expected to develop their abilities to apply that vocabulary to   the literature they read.  The ObjectiveStudents will get inside the skin and mindset of one or more of the   characters or the people depicted in Steinbeck’s novel evaluate why it   matters to examine these figures, and then write personally about the   impressions formed by the experience of reading and exploring. The TasksPart 1: Passage presentations and discussions:
              Each student chooses and does a close reading of one particular   passage from the novel and then presents his/her own thoughts to the   class about the passage’s significance from any thematic standpoint that   resonates for them. Students will have a maximum of 5 minutes to present their   ideas and then their presentation will lead into a whole class   discussion of the passage and the presenting student’s focal points. Students may approach their examination and evaluation of the passage from any standpoint. For each presentation, each student will need to develop some   prompts or questions that will incite a discussion about the passage.  I   really want students to select a passage that jumped out to them for   whichever reasons.  The students will care about the meaning this   passage holds, or may have questions about it that need further   examination, or both.  Part 2:Students will write personally and creatively about the voices heardOnce all students have all presented and we’ve explored an array of   questions and viewpoints, I will then have students look at the Library of Congress’s online exhibit “Images and Voices from the Dustbowl.” I will present a slide show presentation of the photographs from the   NEH agricultural tour, and then provide a writing assignment with 2   options.  See below for the options.  With this writing assignment,   students process and synthesize their cumulative viewpoints and   questions, while it also allows students to emulate and ultimately   appreciate Steinbeck’s writing style.
 WRITING PROMPTS: 
              Write a brief prose piece in which you describe your reaction to   the images and voices of the migrants. This piece should be written in   first-person. How were you affected by the presentations? Did seeing the   images and hearing the voices of actual migrants impact your experience   or appreciation of reading The Grapes of Wrath? Write a prose dramatic monologue in the voice of one person   from the Lange or one of Ms. Haslach photos. Dramatic monologue offers   the writer a chance to be someone else. You might imagine that you’re   speaking to an interviewer or a fellow migrant, your child or your   spouse. Be inventive. Feel free to use vernacular. I will make sharing and presenting these writings optional.    Some students may discuss very personal details in their writing and may   not feel comfortable sharing with the whole class. Images and Voices from the DustbowlThe United States Library of Congress houses a collection of photography and audio recordings that document   the migrant worker’s experience in Farm Security Administration (FSA)   camps in California from 1940-1945.  The collection consists of   approximately 18 hours of audio recordings (436 titles on 122 recording   discs), 28 graphic images (prints and negatives), and 1.5 linear feet of   print materials including administrative correspondence, field notes,   recording logs, song text transcriptions, dust jackets from the   recording discs with handwritten notes, news clippings, publications,   and ephemera. The online presentation provides access to 371 audio   titles, 23 graphic images, a sampling of the dust jackets, and all the   print material in the collection.  Directions: View the Dorothea Lange’s photographs of migrant workers within the following PowerPoint presentation, available on my Website.  	    Listen to several of the audio recordings. Assignment Due:In response to my personal photos, the PowerPoint presentation of   Dorothea Lange photographs, and audio recordings from the government   camps, select one of the following options: 
               Write a brief prose piece in which you describe your reaction   to the images and voices of the migrants. As with your summer reading   assignment, this piece should be written in first-person. How were you   affected by the presentation? Did seeing the images and hearing the   voices of actual migrants impact your experience or appreciation of   reading The Grapes of Wrath? Write a prose dramatic monologue in the voice of one person   from the Lange photos. Dramatic monologue offers the writer a chance to   be someone else. You might imagine that you’re speaking to an   interviewer or a fellow migrant, your child or your spouse. Be   inventive. Feel free to use vernacular. Length should be no more than two pages, double-spaced. Format the paper according to MLA style. Should you wish to revisit the photographs, you may browse the main site at The Library of Congress, American Memories website. Click on “Search” and type Dorothea Lange. Or browse by:  |